Cinema and the Swastika: The International Expansion of Third Reich Cinema 1st Edition by Roel Vande Winkel, David Welch – Ebook PDF Instant Download/Delivery: 1403994919, 978-1403994912
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ISBN 10: 1403994919
ISBN 13: 978-1403994912
Author: Roel Vande Winkel, David Welch
Cinema and the Swastika: The International Expansion of Third Reich Cinema 1st Edition: This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate – economically, politically and culturally – the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.
Cinema and the Swastika: The International Expansion of Third Reich Cinema 1st Edition Table of contents:
1 Europe’s New Hollywood? The German Film Industry Under Nazi Rule, 1933–45
2 ‘European Cinema for Europe!’ The International Film Chamber, 1935–42
3 German Attempts to Penetrate the Spanish-speaking Film Markets, 1936–42
4 Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation,
5 German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation
6 Nazi Film Politics in Brazil, 1933–42
7 The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45
8 A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933–45
9 The Attempted Nazification of French Cinema, 1934–44
10 Cinema Goes to War: The German Film Policy in Greece During the Occupation, 1941–44
11 Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika, 1933–44
12 A War within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933
13 Celluloid Competition: German–Japanese Film Relations, 1929–45
14 From Dawn to Young Eagles: The (Failed) Attempt of Germanisation and Nazification of Luxembourg t
15 Dutch–German Film Relations under German Pressure and Nazi Occupation, 1933–45
16 From Will to Reality – Norwegian Film during the Nazi Occupation, 1940–45
17 Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48
18 Film and Politics in South-east Europe: Germany as ‘Leading Cultural Nation’, 1933–45
19 German Films on the Spanish Market Before, During and After the Civil War, 1933–45
20 Swedish Film and Germany, 1933–45
21 Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933
22 ‘A Thin Stream Issuing through Closed Lock Gates’: German Cinema and the United Kingdom, 1933
23 German Films in America, 1933–45: Public Diplomacy and an Uncoordinated Information Campaign
24 German Film Politics in the Occupied Eastern Territories, 1941–45
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