Consciousness Theatre Literature and the Arts 2009 1st Edition by Daniel Meyer Dinkgrafe – Ebook PDF Instant Download/Delivery:9781443817950, 1443817953
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ISBN 10: 1443817953
ISBN 13: 9781443817950
Author: Daniel Meyer-Dinkgrafe
Consciousness Theatre Literature and the Arts 2009 1st Table of contents:
Chapter One – Klaus Volkamer: Subtle Matter Fields and Radiations as Key Components in Theatre Performance
Chapter Two – Eric Hetzler: The Actor’s Awareness: An Empirical Examination from The Survey of the Actor’s Experience
Chapter Three – Christophe Collard: Performing Intermediality: On Water Engines, Strange Loops, and Transgressive Thought
Chapter Four – Bill Hopkinson: Clown Consciousness: A Pedagogical Intervention in Undergraduate Actor Training
Chapter Five – Özge Gül Zerey: Consciousness and Theatrical Performance in Literature Courses
Chapter Six – Alla Sosnovskaya: Costume and Image in A.P. Chekhov’s Plays
Chapter Seven – Maya Nanitchkova Öztürk: Theatre: From Mental Image to Corporeal Constructions of Community
Chapter Eight – John McClellan: The Theatre and Civilisation
Chapter Nine – Regina Ode: Theatre, Consciousness and Sustainable Development: A Case Study of the Akpa and Orokam Women Empowerment Projects
Chapter Ten – Daniel Meyer-Dinkgräfe: Body against Boundaries: Consciousness in Raimund Hoghe’s Choreography
Chapter Eleven – Hervé-Pierre Lambert: New Relations between Literature and Synesthesia
Chapter Twelve – Tamar Mebuke: Heroes of Humanity in Literature
Chapter Thirteen – Pavel Gavrilov: Cur Homo Deus
Chapter Fourteen – Galina Susloparova: Consciousness in the Novels of Ivan Shmelev
Chapter Fifteen – Farzaneh Haratyan: Identity Consciousness
Chapter Sixteen – Evangelia Moula: The Shaping of Female Consciousness in Contemporary Greek Bildungsromane
Chapter Seventeen – Rõza Öztürk: Dasein, an Absorption in the World of Temporality: An Aspect of the Self Consciousness
Chapter Eighteen – Manolya Harnuboğlu: Consciousness and the Female Characters as Victims of Drives and Prejudice: A Study of Hardy’s Jude the Obscure
Chapter Nineteen – Rõza Öztürk: Consciousness and the Child Image in Hardy’s Tragic Narratives
Chapter Twenty – Cecilia Gil Mariño: Artistic Vanguards, Politics, and the Press in Argentina: The Figure of Raúl González Tuñón as a Novel Synthesis of Testimonial Poetry and Aesthetic Rupture
Chapter Twenty-One – Jekaterina Haritonenko: Listening Between the Lines: Principles of Musical Semantics in Fiction-writing
Chapter Twenty-Two – Bennett Hogg: Embodied Consciousness as a Site of Cultural Mediation in Thinking about Musical Free Improvisation
Chapter Twenty-Three – Johan Veldeman: Restoring the Role of Aesthetic Experience in the Theory of Art
Chapter Twenty-Four – John Danvers: Smoke without Fire: Some Thoughts on Leonardo’s Sfumato
Chapter Twenty-Five – Zhang Xiangen: On the End of Modern Art and Postmodern Aesthetics—A Perspective of Aesthetic Consciousness in Phenomenology
Chapter Twenty-Six – Yukihide Endo: Beyond the Legitimacy Discourse on the Athletic Body: The Implications of the Prostheticized Body
Chapter Twenty-Seven – Heinz-Uwe Haus: Cultural Memory and Theatre Work: Personal Reflections
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