Marvelous images on values and the arts 1st edition by Kendall Walton – Ebook PDF Instant Download/Delivery: 9780190292287, 0190292288
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ISBN 10: 0190292288
ISBN 13: 9780190292287
Author: Kendall Walton
The twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In “‘How Marvelous!’: Toward a Theory of Aesthetic Value” Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. “Transparent Pictures”, Walton’s classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, “Categories of Art”, and a less well known essay, “Style and the Products and Processes of Art”, which examines the role of appreciators’ impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them.
Marvelous images on values and the arts 1st Table of contents:
Part I. Aesthetic And Moral Values
Chapter 1. “How Marvelous!”: Toward a Theory of Aesthetic Value
Postscripts to “ ‘How Marvelous!’ ”
Chapter 2. The Test of Time
Chapter 3. Morals in Fiction and Fictional Morality
Chapter 4. On the (So-Called) Puzzle of Imaginative Resistance
Part II. Pictures And Photographs
Chapter 5. Pictures and Hobby Horses: Make-Believe beyond Childhood
Chapter 6. Transparent Pictures: On the Nature of Photographic Realism
Postscripts to “Transparent Pictures”: Clarifications and To Do’s
Chapter 7. On Pictures and Photographs: Objections Answered
Chapter 8. Seeing-In and Seeing Fictionally
Chapter 9. Depiction, Perception, and Imagination: Responses to Richard Wollheim
Chapter 10. Experiencing Still Photographs: What Do You See and How Long Do You See It?
Part III. Categories And Styles
Chapter 11. Categories of Art
Chapter 12. Style and the Products and Processes of Art
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