(EBOOK PDF)Reading Contemporary Performance Theatricality Across Genres 1st Edition by Gabrielle Cody, Meiling Cheng 0415624975 9780415624978 full chapters

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Product details:

• ISBN 10:0415624975 

• ISBN 13:9780415624978

• Author:Gabrielle Cody, Meiling Cheng

As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality.

Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections:

Reading Contemporary Performance Theatricality Across Genres 1st Table of contents:

 Part I Introductions
Reading performance: A physiognomy
Theatricality across genres
Performing the theatrical matrix
Introductory essays bibliography
Part II Concepts and paired case studies
Time
Communitas
Further reading
References
Cross references
Endurance performance
Further reading
References
Cross references
Marina Abramovic’s Durational Opus
Event
Further reading
References
Cross references
Liminality
Further reading
References
Cross references
Post-linearity
Further reading
References
Cross references
Precariousness
Further reading:
References
Cross references
Wang Wei’s Temporary Space
Remains
Further reading
References
Cross references
Reproduction
Further reading
References
Cross references
Space
Environmental Theatre
Further reading
References
Cross references
Marc Bamuthi Joseph’s red, black, and GREEN: a blues
Hierarchy
Further reading
References
Cross references
Installation art
Further reading
References
Cross references
The Internet
Further reading
References
Cross references
Landscape theatre
Further reading
References
Cross references
Mise-en-scène
Further reading
References
Cross references
Prison culture
Further reading
References
Cross references
Proxemics
Further reading
References
Cross references
Fifteen principles of Black Market International
Scenography
Further reading
References
Cross references
Surveillance
Further reading
References
Cross references
Surveillance
Virtual reality
Further reading
References
Cross references
Action
Appropriation
Further reading
References
Cross references
Circus
Further reading
References
Cross references
Experimental music
Further reading
References
Cross references
Grace notes: Meredith Monk’s Songs of Ascension
Extreme performance
Further reading
References
Cross references
He Yunchang’s limit acts
Happenings
Further reading
References
Cross references
Historicity
Further reading
References
Cross references
Intervention
Further reading
References
Cross references
Sisters Of Survival Signal S.O.S.
Mediaturgy
Further reading
References
Cross references
Romeo Castellucci’s Hey Girl!
Mimicry
Further reading
References
Cross references
Montage
Further reading
References
Cross references
New genre public art
Further reading
References
Cross references
Paradox
Further reading
References
Cross references
Paratheatre
Further reading
References
Cross references
Feminist blogging as activism and pedagogy
Propaganda
Further reading
References
Cross references
Quotation
Further reading
References
Cross references
Reenactment
Further reading
References
Cross references
Heather Cassils’ indeterminate body
Scenario
Further reading
References
Cross references
Simulacrum
Further reading
References
Cross references
War
Further reading
References
Cross references
Performer
Active Analysis
Further reading
References
Cross references
Actor
Further reading
References
Cross references
Animalworks
Further reading
References
Cross references
Body Art still Image Action: OFFERING
Archive and repertoire
Further reading
References
Cross references
35 Years of Living Art (excerpts from Linda Mary Montano’s blog, thursday, December 6, 2012)
Camp
Further reading
References
Cross references
Celebrity
Further reading
References
Cross references
Cultural production
Further reading
References
Cross references
Drag
Further reading
References
Cross references
Ethnic drag
Further reading
References
Cross references
Memoirs of Björk-Geisha
Explicit body performance
Further reading
References
Cross references
Gestus
Further reading
References
Cross references
Glossolalia
Further reading
References
Cross references
Identity politics
Further reading
References
Cross references
Weights—an excerpt
Identification/dis-identification
Further reading
References
Cross references
Masochism
Further reading
References
Cross references
Performing body modifications
Media
Further reading
References
Cross references
New Media Art
Further reading
References
Cross references
Performance in the digital age
Further reading
References
Cross references
Performativity
Further reading
References
Cross references
Pornography
Further reading
References
Cross references
Audience
Audience
Further reading
References
Cross references
Global censorship
Further reading
References
Cross references
Ai Weiwei’s transnational public spheres
Double-coding
Further reading
References
Cross references
Dramaturgy
Further reading
References
Cross references
Emotions
Further reading
References
Cross references
Framing
Further reading
References
Cross references
Historiography
Further reading
References
Cross references
Historiography
Invisible Theatre
Further reading
References
Cross references
Liveness
Further reading
References
Cross references
Prosthetic performance
Further reading
References
Cross references
Gyrl grip
Reception theory
Further reading
References
Cross references
Concept entries and paired case studies bibliography
Part III Methodologies/turning points and paired case studies
Aging
Further reading
References
Cross references
The ecodramaturgy of Anna Halprin, eeo stubblefield, and Rachel Rosenthal
Animal studies
Further reading
References
Cross references
Knowing animals now: The Unreliable Bestiary, a multi-part, ongoing performance project by Deke Weaver
Anti-art
Further reading
References
Cross references
Broad-spectrum approach
Further reading
References
Cross references
Choreography
Further reading
References
Cross references
Dance or we are lost: the tanztheater of Pina Bausch
Cybernetics
Further reading
References
Cross references
The d/Deaf Performative
Further reading
References
Cross references
Destruction art
Further reading
References
Cross references
Disciplines in performance
Further reading
References
Cross references
Ecodramaturgy
Further reading
References
Cross references
Expanded cinema
Further reading
References
Cross references
Carolee schneemann’s Cat Scan (New Nightmares/Ancient History)
Fluxus
Further reading
References
Cross references
Gaga Feminism
Further reading
References
Cross references
Boychild
Hybridity
Further reading
References
Cross references
Intercultural performance
Further reading
References
Cross references
Guillermo Gómez-Peña attempts to explain performance art to people who may have never heard of it
Intermediality
Further reading
References
Cross references
Elevator girls return: Miwa Yanagi’s border crossing between photography and theatre
Mimesis
Further reading
References
Cross references
Minimalism
Further reading
References
Cross references
Modernism
Modernism in the theatre
Further reading
References
Cross references
Multicentricity
Further reading
References
Cross references
Performing the archive
Further reading
References
Cross references
Performance, postmodernism, and beyond
Further reading
References
Cross references
Performance Studies
Further reading
References
Cross references
Photography and performance
Further reading
References
Cross references
Play
Further reading
References
Cross references
Reality Ends Here
Postcolonial performance inquiry
Further reading
References
Cross references
Postdramatic theater
Further reading
References
Cross references
the Wooster Group’s TO YOU, THE BIRDIE! (Phèdre)
Posthumanism
Further reading
References
Cross references
Becoming Kinocognophore
Puppet and object performance
Further reading
References
Cross references
Racialization
Further reading
References
Cross references
Readymade
Further reading
References
Cross references
Rhetoric
Further reading
References
Cross references
Sampling
Further reading
References
Cross references
Feminist hip-hop fusion
Semiotics/semiology
Further reading
References
Cross references
Bodies in action
Terrorism and performance
Further reading
References
Cross references
Theatre of images
Further reading
References
Cross references
Transcontextuality
Further reading
References
Cross references
Goat Island’s The Sea & Poison
Transnationalism
Further reading
References
Cross references
Whiteness
Further reading
References
Cross references
The Muslim performative
Methodologies/turning points and paired case studies bibliography
Index of essays
Index

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Reading Contemporary,Performance Theatricality,Gabrielle Cody, Meiling Cheng