Sound Clash Jamaican Dancehall Culture at Large First Edition by Carolyn Cooper – Ebook PDF Instant Download/Delivery: 9781403982605, 1403982600
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Product details:
• ISBN 10:1403982600
• ISBN 13:9781403982605
• Author:Carolyn Cooper
Sound Clash
Jamaican Dancehall Culture at Large
Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica’s dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere ‘noise,’ articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
Sound Clash Jamaican Dancehall Culture at Large First Table of contents:
Contents
Acknowledgments
Introduction: Word, Sound, and Power
ONE: Border Clash: Sites of Contestation
TWO: Slackness Personified: Representations of Female Sexuality in the Lyrics of Bob Marley and Shab
THREE: Lady Saw Cuts Loose: Female Fertility Rituals in the Dancehall
FOUR: “Mama, Is That You?”: Erotic Disguise in the Films
FIVE: “Lyrical Gun”: Metaphor and Role-Play in Dancehall Culture
SIX: “More Fire”: Chanting Down Babylon from Bob Marley to Capleton
SEVEN: “Vile Vocals”: Exporting Jamaican Dancehall Lyrics to Barbados
EIGHT: Hip-hopping across Cultures: Reggae to Rap and Back
NINE: “Mix Up the Indian with All the Patwa”: Rajamuffin Sounds in Cool Britannia
TEN: The Dancehall Transnation: Language, Lit/orature, and Global Jamaica
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Sound Clash,Jamaican Dancehall,Carolyn Cooper