The Cultural Study of Music A Critical Introduction 2nd Edition by Martin Clayton, Trevor Herbert, Richard Middleton ISBN 0415881900 9780415881906

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Product details:

ISBN 10: 0415881900

ISBN 13: 9780415881906 

Author: Martin Clayton, Trevor Herbert, Richard Middleton 

What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the years since the book’s initial publication. Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. It includes both pioneering theoretical essays and exhaustively researched case studies on particular issues in world musics. For the second edition, the original essays have been revised and nine new chapters have been added, covering themes such as race, religion, geography, technology, and the politics of music. With an even broader scope and a larger roster of world-renowned contributors, The Cultural Study of Music is certain to remain a canonical text in the field of cultural musicology.

Table of contents: 

1. Introduction: Music Studies and the Idea of Culture**

art 1: When? Musical Histories
2. Music and Biocultural Evolution
3. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement
4. Historical Musicology: Is It Still Possible?
5. Social History and Music History
6. Musicology, Anthropology, History

Part 2: Where? Locations of Music
7. Textual Analysis or Thick Description?
8. Comparing Music, Comparing Musicology
9. The Destiny of “Diaspora” in Ethnomusicology
10. Globalization and the Politics of World Music
11. Contesting Difference: A Critique of Africanist Ethnomusicology
12. What a Difference a Name Makes: Two Instances of African-American Popular Music
13. Music, Space, and Place: The Geography of Music
14. Music and Everyday Life

Part 3: How? Processes, Practices, and Institutions of Music
15. Music, Culture, and Creativity
16. Musical Autonomy Revisited
17. Music as Performance
18. The Cultural Study of Musical Instruments
19. Music Education, Cultural Capital, and Social Group Identity
20. Music Technology, or Technologies of Music?
21. Music and Material Culture

Part 4: Whose? Social Forces and Musical Belongings
22. Music and Social Categories
23. Music and Mediation: Toward a New Sociology of Music
24. Music and the Social
25. Locating the People: Music and the Popular
26. Music and the Market: The Economics of Music in the Modern World
27. Music, Sound, and Religion
28. Music, Race, and the Fields of Public Culture
29. Music, Gender, and Sexuality

Part 5: Who? Musical Subjectivities
30. What’s Going On: Music, Psychology, and Ecological Theory
31. Musical Materials, Perception, and Listening
32. Music, Experience, and the Anthropology of Emotion
33. Towards a Political Aesthetics of Music
34. Music and the Subject: Three Takes
35. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin de Siècle
36. Subjectivity Unbound: Music, Language, Culture

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Tags: Martin Clayton, Trevor Herbert, Richard Middleton, Cultural Study, Music, Critical Introduction